tām — her; deva — of the Supreme Lord; māyām — the illusory potency; iva — as if; dhīra — even those who are sober; mohinīm — who bewilders; su-madhyamām — whose waist was well-formed; kuṇḍala — with earrings; maṇḍita — decorated; ānanām — whose face; śyāmām — uncontaminated beauty; nitamba — on whose hips; arpita — placed; ratna — jewel-studded; mekhalām — a belt; vyañjat — budding; stanīm — whose breasts; kuntala — of the locks of her hair; śaṅkita — frightened; īkṣaṇām — whose eyes; śuci — pure; smitām — with a smile; bimba-phala — like a bimba fruit; adhara — of whose lips; dyuti — by the glow; śoṇāyamāna — becoming reddened; dvija — whose teeth; kunda — jasmine; kuḍmalām — like buds; padā — with her feet; calantīm — walking; kala-haṁsa — like that of a royal swan; gāminīm — whose gait; siñjat — tinkling; kalā — skillfully fashioned; nūpura — of whose ankle bells; dhāma — by the effulgence; śobhinā — beautified; vilokya — seeing; vīrāḥ — the heroes; mumuhuḥ — became bewildered; samāgatāḥ — assembled; yaśasvinaḥ — respectable; tat — by this; kṛta — generated; hṛt-śaya — by the lust; arditāḥ — distressed; yām — whom; vīkṣya — upon seeing; te — these; nṛ-patayaḥ — kings; tat — her; udāra — broad; hāsa — by the smiles; vrīḍā — of shyness; avaloka — and the glances; hṛta — stolen; cetasaḥ — whose minds; ujjhita — dropping; astrāḥ — their weapons; petuḥ — they fell; kṣitau — to the ground; gaja — on elephants; ratha — chariots; aśva — and horses; gatāḥ — sitting; vimūḍhāḥ — fainting; yātrā — of the procession; chalena — on the pretext; haraye — to Lord Hari, Kṛṣṇa; arpayatīm — who was offering; sva — her own; śobhām — beauty; sā — she; evam — thus; śanaiḥ — slowly; calayatī — making walk; cala — moving; padma — of lotus flowers; kośau — the two whorls (that is, her feet); prāptim — the arrival; tadā — then; bhagavataḥ — of the Supreme Lord; prasamīkṣamāṇā — eagerly awaiting; utsārya — pushing away; vāma — left; kara-jaiḥ — with the nails of her hand; alakān — her hair; apāṅgaiḥ — with sidelong glances; prāptān — those present; hriyā — with shyness; aikṣata — she looked; nṛpān — at the kings; dadṛśe — she saw; acyutam — Kṛṣṇa; ca — and; tām — her; rāja-kanyām — the King’s daughter; ratham — His chariot; ārurukṣatīm — who was ready to mount; jahāra — seized; kṛṣṇaḥ — Lord Kṛṣṇa; dviṣatām — His enemies; samīkṣatām — as they looked on.
Translation
Rukmiṇī appeared as enchanting as the Lord’s illusory potency, who enchants even the sober and grave. Thus the kings gazed upon her virgin beauty, her shapely waist, and her lovely face adorned with earrings. Her hips were graced with a jewel-studded belt, her breasts were just budding, and her eyes seemed apprehensive of her encroaching locks of hair. She smiled sweetly, her jasmine-bud teeth reflecting the glow of her bimba-red lips. As she walked with the motions of a royal swan, the effulgence of her tinkling ankle bells beautified her feet. Seeing her, the assembled heroes were totally bewildered. Lust tore at their hearts. Indeed, when the kings saw her broad smile and shy glance, they became stupefied, dropped their weapons and fell unconscious to the ground from their elephants, chariots and horses. On the pretext of the procession, Rukmiṇī displayed her beauty for Kṛṣṇa alone. Slowly she advanced the two moving lotus-whorls of her feet, awaiting the arrival of the Supreme Lord. With the fingernails of her left hand she pushed some strands of hair away from her face and shyly looked from the corners of her eyes at the kings standing before her. At that moment she saw Kṛṣṇa. Then, while His enemies looked on, the Lord seized the princess, who was eager to mount His chariot.
गीता प्रेस, गोरखपुर · पृथक पाठ-साक्षी
Sanskrit and Hindi Witness
इस पाठ-साक्षी का श्लोक-पता वर्तमान ŚB मार्ग से ठीक मिलता है। गीता प्रेस और वर्तमान अंग्रेज़ी पाठ को मिलाया नहीं गया है; दोनों अपने-अपने स्रोत-रूप में साथ पढ़े जा सकते हैं।
परीक्षित्! रुक्मिणीजी भगवान्की मायाके समान ही बड़े-बड़े धीर-वीरोंको भी मोहित कर लेनेवाली थीं। उनका कटिभाग बहुत ही सुन्दर और पतला था। मुखमण्डलपर कुण्डलोंकी शोभा जगमगा रही थी। वे किशोर और तरुण-अवस्थाकी सन्धिमें स्थित थीं। नितम्बपर जड़ाऊ करधनी शोभायमान हो रही थी, वक्ष:स्थल कुछ उभरे हुए थे और उनकी दृष्टि लटकती हुई अलकोंके कारण कुछ चंचल हो रही थी॥ ५१॥
स्रोत-खंड सीमा · यह हिन्दी अंश गीता प्रेस डिजिटल पाठ में इस दृश्य श्लोक-इकाई के बाद आता है; इसे स्वतः एक-से-एक टीका या संस्करण-समानता नहीं माना गया है।
Source witness details
द्वितीय-खण्ड · index_split_021.html · source order 25 Sanskrit SHA-256: ef932d32714cb7e3bb31550e16d93cb6865e9ad930dee6b0072be52722be2472 Hindi SHA-256: 369d7cd9a59dbb5608018a45066affdf093df001eaf03f5d87f9d225f4afe60c Address crosswalk: exact · final textual equivalence: not claimed
Sources and Connected Bhāgavata Readings
After the Sanskrit, word meanings, translation, and reading navigation, these links connect the requested reference with its canonical received passage, parent chapter and skandha, and the wider Bhāgavata corpus without inventing artificial verse boundaries.