🪷 ŚB 6.5.22

Sanskrit, transliteration, word meanings, and translation for steady Bhāgavata reading.

Bhāgavatam Detail Source-Anchor Spine

This reading page exposes the requested verse-reference route, canonical received passage, parent chapter/skandha context, and the wider Bhāgavata source spine without inventing artificial verse boundaries.

ŚB 6.5.22requested verse-reference route for this Bhāgavatam reading pageŚB 6.5parent chapter route and reading-passage indexSkandha 6parent skandha chapter index/bhagavatammaster index for 12 skandhas, 335 chapters, and 13,003 reading pagesŚB 1.1.1satyaṁ paraṁ dhīmahi · the Bhāgavatam source meditationŚB 1.2.6supreme dharma as ahaitukī and apratihatā bhaktiŚB 1.2.11Brahman · Paramātmā · Bhagavān as one advaya-tattvaŚB 1.3.28kṛṣṇas tu bhagavān svayam · Krishna-pramāṇa source sealŚB 10.10.29Dāmodara/Yamala-arjuna · Krishna as supreme original PersonŚB 10.10.30-31Krishna as Kāla · Viṣṇu · Paramātmā · AntaryāmīŚB 10.10.38speech, hearing, body, mind, head, and sight offered in Krishna-sevāŚB 10.10.39Gokuleśvara bound by love, smilingŚB 10.10.40Nārada correction as anugrahaŚB 10.10.41sādhu-darśana removes bondage-darknessŚB 12.2.18Kalki witness at ŚambhalaŚB 12.3.51Kali-yuga blessing through Krishna-kīrtanaSkandha 10 līlā index20-anchor Krishna-līlā source-walk inside the Bhāgavatam master pageBG 7.7mattaḥ parataraṁ nānyat · no source higher than KrishnaBG 10.8ahaṁ sarvasya prabhavaḥ · Krishna as source of allBG 15.15Krishna seated in every heart and the target of all Veda/binduDiamond of Darśanas · Bhāgavata prema as the Bindu made rasa/philosophyKrishna = Paramaatma = Parabrahman constitutional foundation

Sanskrit

स्वरब्रह्मणि निर्भातहृषीकेशपदाम्बुजे । अखण्डं चित्तमावेश्य लोकाननुचरन्मुनि: ॥ २२ ॥

Transliteration

svara-brahmaṇi nirbhāta- hṛṣīkeśa-padāmbuje akhaṇḍaṁ cittam āveśya lokān anucaran muniḥ
Synonyms
svara-brahmaṇi — in spiritual sound; nirbhāta — placing clearly before the mind; hṛṣīkeśa — of the Supreme Personality of Godhead, Kṛṣṇa, the master of the senses; padāmbuje — the lotus feet; akhaṇḍam — unbroken; cittam — consciousness; āveśya — engaging; lokān — all the planetary systems; anucarat — traveled around; muniḥ — the great sage Nārada Muni.

Translation

The seven musical notes — ṣa, ṛ, gā, ma, pa, dha and ni — are used in musical instruments, but originally they come from the Sāma Veda. The great sage Nārada vibrates sounds describing the pastimes of the Supreme Lord. By such transcendental vibrations, such as Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare, he fixes his mind at the lotus feet of the Lord. Thus he directly perceives Hṛṣīkeśa, the master of the senses. After delivering the Haryaśvas, Nārada Muni continued traveling throughout the planetary systems, his mind always fixed at the lotus feet of the Lord.

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