🪷 ŚB 4.25.44

Sanskrit, transliteration, word meanings, and translation for steady Bhāgavata reading.

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This reading page exposes the requested verse-reference route, canonical received passage, parent chapter/skandha context, and the wider Bhāgavata source spine without inventing artificial verse boundaries.

ŚB 4.25.44requested verse-reference route for this Bhāgavatam reading pageŚB 4.25parent chapter route and reading-passage indexSkandha 4parent skandha chapter index/bhagavatammaster index for 12 skandhas, 335 chapters, and 13,003 reading pagesŚB 1.1.1satyaṁ paraṁ dhīmahi · the Bhāgavatam source meditationŚB 1.2.6supreme dharma as ahaitukī and apratihatā bhaktiŚB 1.2.11Brahman · Paramātmā · Bhagavān as one advaya-tattvaŚB 1.3.28kṛṣṇas tu bhagavān svayam · Krishna-pramāṇa source sealŚB 10.10.29Dāmodara/Yamala-arjuna · Krishna as supreme original PersonŚB 10.10.30-31Krishna as Kāla · Viṣṇu · Paramātmā · AntaryāmīŚB 10.10.38speech, hearing, body, mind, head, and sight offered in Krishna-sevāŚB 10.10.39Gokuleśvara bound by love, smilingŚB 10.10.40Nārada correction as anugrahaŚB 10.10.41sādhu-darśana removes bondage-darknessŚB 12.2.18Kalki witness at ŚambhalaŚB 12.3.51Kali-yuga blessing through Krishna-kīrtanaSkandha 10 līlā index20-anchor Krishna-līlā source-walk inside the Bhāgavatam master pageBG 7.7mattaḥ parataraṁ nānyat · no source higher than KrishnaBG 10.8ahaṁ sarvasya prabhavaḥ · Krishna as source of allBG 15.15Krishna seated in every heart and the target of all Veda/binduDiamond of Darśanas · Bhāgavata prema as the Bindu made rasa/philosophyKrishna = Paramaatma = Parabrahman constitutional foundation

Sanskrit

उपगीयमानो ललितं तत्र तत्र च गायकै: । क्रीडन् परिवृत: स्त्रीभिर्ह्रदिनीमाविशच्छुचौ ॥ ४४ ॥

Transliteration

upagīyamāno lalitaṁ tatra tatra ca gāyakaiḥ krīḍan parivṛtaḥ strībhir hradinīm āviśac chucau
Synonyms
upagīyamānaḥ — being sung about; lalitam — very nicely; tatra tatra — here and there; ca — also; gāyakaiḥ — by the singers; krīḍan — playing; parivṛtaḥ — surrounded; strībhiḥ — by women; hradinīm — in the water of the river; āviśat — entered; śucau — when it was too hot.

Translation

Many professional singers used to sing about the glories of King Purañjana and his glorious activities. When it was too hot in the summer, he used to enter a reservoir of water. He would surround himself with many women and enjoy their company.

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