🪷 ŚB 4.19.22
Sanskrit, transliteration, word meanings, and translation for steady Bhāgavata reading.
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ŚB 4.19.22requested verse-reference route for this Bhāgavatam reading pageŚB 4.19parent chapter route and reading-passage indexSkandha 4parent skandha chapter index/bhagavatammaster index for 12 skandhas, 335 chapters, and 13,003 reading pagesŚB 1.1.1satyaṁ paraṁ dhīmahi · the Bhāgavatam source meditationŚB 1.2.6supreme dharma as ahaitukī and apratihatā bhaktiŚB 1.2.11Brahman · Paramātmā · Bhagavān as one advaya-tattvaŚB 1.3.28kṛṣṇas tu bhagavān svayam · Krishna-pramāṇa source sealŚB 10.10.29Dāmodara/Yamala-arjuna · Krishna as supreme original PersonŚB 10.10.30-31Krishna as Kāla · Viṣṇu · Paramātmā · AntaryāmīŚB 10.10.38speech, hearing, body, mind, head, and sight offered in Krishna-sevāŚB 10.10.39Gokuleśvara bound by love, smilingŚB 10.10.40Nārada correction as anugrahaŚB 10.10.41sādhu-darśana removes bondage-darknessŚB 12.2.18Kalki witness at ŚambhalaŚB 12.3.51Kali-yuga blessing through Krishna-kīrtanaSkandha 10 līlā index20-anchor Krishna-līlā source-walk inside the Bhāgavatam master pageBG 7.7mattaḥ parataraṁ nānyat · no source higher than KrishnaBG 10.8ahaṁ sarvasya prabhavaḥ · Krishna as source of allBG 15.15Krishna seated in every heart and the target of all Veda/binduDiamond of Darśanas · Bhāgavata prema as the Bindu made rasa/philosophyKrishna = Paramaatma = Parabrahman constitutional foundation
Sanskrit
वीरश्चाश्वमुपादाय पितृयज्ञमथाव्रजत् ।
तदवद्यं हरे रूपं जगृहुर्ज्ञानदुर्बला: ॥ २२ ॥
Transliteration
vīraś cāśvam upādāya
pitṛ-yajñam athāvrajat
tad avadyaṁ hare rūpaṁ
jagṛhur jñāna-durbalāḥ
Synonyms
vīraḥ — the son of King Pṛthu; ca — also; aśvam — the horse; upādāya — taking; pitṛ-yajñam — to the sacrificial arena of his father; atha — thereafter; avrajat — went; tat — that; avadyam — abominable; hareḥ — of Indra; rūpam — dress; jagṛhuḥ — adopted; jñāna-durbalāḥ — those with a poor fund of knowledge.
Translation
Then the great hero, Vijitāśva, the son of King Pṛthu, again took the horse and returned to his father’s sacrificial arena. Since that time, certain men with a poor fund of knowledge have adopted the dress of a false sannyāsī. It was King Indra who introduced this.
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