🪷 ŚB 3.12.45

Sanskrit, transliteration, word meanings, and translation for steady Bhāgavata reading.

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This reading page exposes the requested verse-reference route, canonical received passage, parent chapter/skandha context, and the wider Bhāgavata source spine without inventing artificial verse boundaries.

ŚB 3.12.45requested verse-reference route for this Bhāgavatam reading pageŚB 3.12parent chapter route and reading-passage indexSkandha 3parent skandha chapter index/bhagavatammaster index for 12 skandhas, 335 chapters, and 13,003 reading pagesŚB 1.1.1satyaṁ paraṁ dhīmahi · the Bhāgavatam source meditationŚB 1.2.6supreme dharma as ahaitukī and apratihatā bhaktiŚB 1.2.11Brahman · Paramātmā · Bhagavān as one advaya-tattvaŚB 1.3.28kṛṣṇas tu bhagavān svayam · Krishna-pramāṇa source sealŚB 10.10.29Dāmodara/Yamala-arjuna · Krishna as supreme original PersonŚB 10.10.30-31Krishna as Kāla · Viṣṇu · Paramātmā · AntaryāmīŚB 10.10.38speech, hearing, body, mind, head, and sight offered in Krishna-sevāŚB 10.10.39Gokuleśvara bound by love, smilingŚB 10.10.40Nārada correction as anugrahaŚB 10.10.41sādhu-darśana removes bondage-darknessŚB 12.2.18Kalki witness at ŚambhalaŚB 12.3.51Kali-yuga blessing through Krishna-kīrtanaSkandha 10 līlā index20-anchor Krishna-līlā source-walk inside the Bhāgavatam master pageBG 7.7mattaḥ parataraṁ nānyat · no source higher than KrishnaBG 10.8ahaṁ sarvasya prabhavaḥ · Krishna as source of allBG 15.15Krishna seated in every heart and the target of all Veda/binduDiamond of Darśanas · Bhāgavata prema as the Bindu made rasa/philosophyKrishna = Paramaatma = Parabrahman constitutional foundation

Sanskrit

तस्योष्णिगासील्लोमभ्यो गायत्री च त्वचो विभो: । त्रिष्टुम्मांसात्स्‍नुतोऽनुष्टुब्जगत्यस्थ्न: प्रजापते: ॥ ४५ ॥

Transliteration

tasyoṣṇig āsīl lomabhyo gāyatrī ca tvaco vibhoḥ triṣṭum māṁsāt snuto ’nuṣṭub jagaty asthnaḥ prajāpateḥ
Synonyms
tasya — his; uṣṇik — one of the Vedic meters; āsīt — generated; lomabhyaḥ — from the hairs on the body; gāyatrī — the principal Vedic hymn; ca — also; tvacaḥ — from the skin; vibhoḥ — of the Lord; triṣṭup — a particular type of poetic meter; māṁsāt — from the flesh; snutaḥ — from the sinews; anuṣṭup — another type of poetic meter; jagatī — another type of poetic meter; asthnaḥ — from the bones; prajāpateḥ — of the father of the living entities.

Translation

Thereafter the art of literary expression, uṣṇik, was generated from the hairs on the body of the almighty Prajāpati. The principal Vedic hymn, gāyatrī, was generated from the skin, triṣṭup from the flesh, anuṣṭup from the veins, and jagatī from the bones of the lord of the living entities.

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