🪷 ŚB 2.1.31

Sanskrit, transliteration, word meanings, and translation for steady Bhāgavata reading.

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This reading page exposes the requested verse-reference route, canonical received passage, parent chapter/skandha context, and the wider Bhāgavata source spine without inventing artificial verse boundaries.

ŚB 2.1.31requested verse-reference route for this Bhāgavatam reading pageŚB 2.1parent chapter route and reading-passage indexSkandha 2parent skandha chapter index/bhagavatammaster index for 12 skandhas, 335 chapters, and 13,003 reading pagesŚB 1.1.1satyaṁ paraṁ dhīmahi · the Bhāgavatam source meditationŚB 1.2.6supreme dharma as ahaitukī and apratihatā bhaktiŚB 1.2.11Brahman · Paramātmā · Bhagavān as one advaya-tattvaŚB 1.3.28kṛṣṇas tu bhagavān svayam · Krishna-pramāṇa source sealŚB 10.10.29Dāmodara/Yamala-arjuna · Krishna as supreme original PersonŚB 10.10.30-31Krishna as Kāla · Viṣṇu · Paramātmā · AntaryāmīŚB 10.10.38speech, hearing, body, mind, head, and sight offered in Krishna-sevāŚB 10.10.39Gokuleśvara bound by love, smilingŚB 10.10.40Nārada correction as anugrahaŚB 10.10.41sādhu-darśana removes bondage-darknessŚB 12.2.18Kalki witness at ŚambhalaŚB 12.3.51Kali-yuga blessing through Krishna-kīrtanaSkandha 10 līlā index20-anchor Krishna-līlā source-walk inside the Bhāgavatam master pageBG 7.7mattaḥ parataraṁ nānyat · no source higher than KrishnaBG 10.8ahaṁ sarvasya prabhavaḥ · Krishna as source of allBG 15.15Krishna seated in every heart and the target of all Veda/binduDiamond of Darśanas · Bhāgavata prema as the Bindu made rasa/philosophyKrishna = Paramaatma = Parabrahman constitutional foundation

Sanskrit

छन्दांस्यनन्तस्य शिरो गृणन्ति दंष्ट्रा यम: स्‍नेहकला द्विजानि । हासो जनोन्मादकरी च माया दुरन्तसर्गो यदपाङ्गमोक्ष: ॥ ३१ ॥

Transliteration

chandāṁsy anantasya śiro gṛṇanti daṁṣṭrā yamaḥ sneha-kalā dvijāni hāso janonmāda-karī ca māyā duranta-sargo yad-apāṅga-mokṣaḥ
Synonyms
chandāṁsi — the Vedic hymns; anantasya — of the Supreme; śiraḥ — the cerebral passage; gṛṇanti — they say; daṁṣṭrāḥ — the jaws of teeth; yamaḥ — Yamarāja, the director of sinners; sneha-kalāḥ — the art of affection; dvijāni — the set of teeth; hāsaḥ — smile; jana-unmāda-karī — the most alluring; ca — also; māyā — illusory energy; duranta — unsurpassable; sargaḥ — the material creation; yat-apāṅga — whose glance; mokṣaḥ — casting over.

Translation

They say that the Vedic hymns are the cerebral passage of the Lord, and His jaws of teeth are Yama, god of death, who punishes the sinners. The art of affection is His set of teeth, and the most alluring illusory material energy is His smile. This great ocean of material creation is but the casting of His glance over us.

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